You know, as I’m searching for my next project and thinking about how to develop as a writer, I realize that I have mental rules. Wanna hear them?
1. Make sure the girl kicks ass.
Hey, I’m pretty serious about this one. It doesn’t have to be physical ass kicking, but she has to be able to be vulnerable, strong, questioning and sure, because that’s what makes a woman kick ass. And that’s what I’m pretty adamant of passing on to the next generation.
2. Get some kissing in.
I write YA, so rarely does it go beyond kissing, but come on, romance is what makes everything a little more gut wrenchingly fun, right?? Hook it up for the good of mankind.
3. Never, ever end with a marriage.
It used to kill me that authors ended stories with a marriage. As far as a reader is concerned, the story is the character’s life. I mean, I want to feel like their life started before it and ends after it, but their conflict is over. Nothing in their life will be as difficult or as interesting as what has happened in the novel, so…wouldn’t that kind of suck for the marriage? And for a child of divorce, it makes the marriage seem too neat, too concrete, and too Disney–more girls need to think that they need to work at a marriage, that it will be the best part and the hardest part, not the other way around.
4. When it comes to girls, hair can give you some drama.
Seriously, nothing stuck in my mind more as a kid than the visions of girls shaking out their hair as part of a dramatic reveal, or fighting with their hair flying out around them, cutting off their hair to make themselves look like a boy or finally doing a fancy updo to reveal their inherent femininity. To this day I still wear my hair in buns with the hope of one day doing a dramatic shake out.
5. The more thieves, the better.
Honestly not even I can explain this one. I am hopelessly obsessed with thieves. I am so going to end up with a prison inmate one day because it is my genuine weakness, and no where do i love it more than fiction. The cockier and less morally minded the better, but fresh and original always take the cake, like Megan Whalen Turner’s unbelievable thief Eugenides. BEST EVER.
6. Don’t hold things back just for the sake of, uh, holding things back.
Not that I didn’t do this myself as a novice writer, and not that I can’t appreciate the sense of suspense, but as a reader, it’s swearworthy when the narrator is just like “oh, no, i’m THINKING about that, but I can’t TELL YOU because that would…er….well it would completely resolve the conflict, so i’m going to mysteriously allude to it and forget about it.” No. No, No No! No means no!
7. Don’t ever rest on your laurels.
Okay, not that I actually have any laurels yet, or ever did, but writing is a path, or a really deep pool for a swimmer with good breath. it’s something to be traveled, discovered, and plumbed. It’s not your favorite restaurant where you order the same thing every time because, well, you know what you like. Keep moving, experimenting, trying, and playing. Your body of work is your own personal competition, a gauntlet thrown down, a challenge to meet. Rock it! Don’t rest.
8. All that aside, make sure you get the gut.
I have a master’s degree in creative writing. I know what good writing looks like, aside from any subjectivity, and I know what cheap and tawdry prose is. But the thing about repetitive, cliched drivel like romance novels is that they still know how to tell a good story because they go for the cheap thrills. Cheap or well earned, I want to feel a visceral reaction at some point during a novel. A squirm, a gasp, a tear, a heart wrench, or, my very favorite, that twisty stomach drop when all your character’s worst insecurities are confirmed and confronted and you feel it. It’s the greatest, most physical kind of human connection that fiction can offer.
I think that’s it. I probably have more that I don’t know about yet, but that’s it for now.
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